The fact that the central theme of this movie can be summed
up with lyrics from a Michael Jackson song means we’re in for a wild ride.
The Lego Batman Movie is a spin-off of the critically
successful comedy-action-nostalgiafest The Lego Movie (is it too early to be
calling this the Lego Cinematic Universe?). Will Arnett returns as Batman,
portraying the character as an egotistical loner who won’t let anyone get close
to him. But his life starts to see some changes: new police commissioner
Barbara Gordon (Rosario Dawson) proposes an idea for the police to team up with
Batman to solve Gotham’s rampant crime problem, and Bruce has to deal with
raising a new son in the form of Dick Grayson (Michael Cera), who soon becomes
Batman’s sidekick Robin. But it’s not just his friends and family Batman’s
driving away. Spurned by the Dark Knight not taking their rivalry seriously,
the Joker (Zack Galifianakis) hatches a plan to make Batman see him as his
greatest nemesis. This involves getting sent to the Phantom Zone to team up
with the greatest villains in the universe, which includes the likes of
Voldemort, Sauron, and the Daleks. How they wound up in the Phantom Zone is
beyond me. But considering this entire universe is set in a child’s
imagination, I’ll let it pass.
Batman parodies are a dime a dozen, but what really makes
this one stick out is the heart. While this movie does include elements of
other Batman parodies – overly dark and brooding, a bit of a sociopath who
wantonly puts his son/ward in mortal danger – it also portrays the Caped
Crusader as a sympathetic figure, probably more sympathetic than I’ve seen in a
while. Behind the bombastic Bat-music and guns that literally shoot
merchandise, he’s a fragile little boy who’s so afraid of losing another family
that he winds up becoming incredibly toxic to everyone around him. As the movie
puts it, Batman’s greatest enemy is himself.
Also, it’s a Batman parody officially created, licensed, and
distributed by Warner Bros. and DC. Meaning that these companies are poking fun
at their most marketable character. It’s like if Marvel made a Spider-Man movie
with a joke that every five years, Uncle Ben gets shot again.
But it’s not just a parody that takes the characters from
the comics as they are and puts them in new and funny situations (like the Lego
Batman games); it’s created its own version of the Batman universe with their
own little changes. Catwoman and Two-Face are black, the Gordons are Hispanic
(probably), Barbara Gordon is already an adult and is police commissioner
before she becomes Batgirl, Batman has been fighting a full rogues gallery for
years and has only just now taken up a sidekick, Robin looks more like Carrey
Kelly than Dick Grayson, etc. That’s what sets it apart from other Batman
parodies: it’s making fun of pre-existing concepts while also giving us an
intriguing interpretation of the Batman mythos.
The Bat-Lens Flares (not pictured: J.J. Abrams) |
Like The Lego Movie before it, it’s got jokes galore,
ranging from the aforementioned franchise-specific gags (Batman and Robin
punching bad guys so hard that words describing their impact spontaneously
appear) to more general comedy (a minute-long scene of Batman trying heating up
Lobster Thermidor in the microwave for two minutes, only to accidentally type
in twenty minutes and having to backtrack and retype the right time). Plenty
for the young target audience to laugh at, but also enough gags that only the
older crowds would get.
Like I said before, the film has a ton of heart that often
goes hand-in-hand with the laughs. The term “Batman Family” has often been used
to describe Batman and his allies in crime fighting, like Alfred, Robin,
Batgirl, and Bat-Cow (who is totally real and you should look him up). But this
movie really captures the essence of the “family” part of the name. Batman
treats Robin more like a son, and Alfred is Bruce’s exasperated single parent
trying desperately to find answers in parenting books.
And for those of you worried about the Batman-Batgirl
romance, fear not: it goes absolutely nowhere and has zero effect on the plot.
Bruce is infatuated with Barbara when he first sees her, but it’s completely
one-sided. Barbara’s much more mature than him in this version and would rather
focus her efforts on fighting crime than dating a man-child who wears a bat
mask while laughing at romantic scenes from Jerry Maguire. By the end of the
movie, Batman sees Barbara as a “platonic friend who is a girl.” So don’t
worry, Bat-fans, it’s not The Killing Joke
again. (Seriously, what did a Batman-Batgirl sex scene have ANYTHING to do
with The Killing Joke?)
At least this one had more screen time than Jared Leto, am I right? |
No, the real romance in this movie is between Batman and the
Joker. Yeah, you know how their relationship has always had that subtext where
they care about each other as more than enemies (see The Killing Joke or the ending of Arkham City for examples). Well this movie pretty
much takes a sledgehammer to that subtext and basically portrays the Dark
Knight and Clown Prince as a couple who are having love issues. Only replace
the word “love” with “hate”. One of them (Batman) has so many emotional walls
that he’s driving the other one (the Joker) to try and prove that he really
cares for him, only to get frustrated and deciding to move on. It’s kind of
like the Perry-Doofenshmirtz relationship from Phineas & Ferb.
And like The Lego Movie, it looks GORGEOUS. The CGI looks so
realistic that at times, it really looks like they filmed this with stop motion
and real Legos. Everything is so shiny and bright, and all the sets are so
gigantic that it looks like the entire Lego Batman world was built for kids, by
kids.
It’s not as laugh-out-loud funny as The Lego Movie, but it’s
nowhere less as creative. Batman Master Builds a giant cat/bat mech out of a
crumbling building. The final battle pits Batman, his allies, and his rogues
gallery against the Joker and an army of villains from other Lego properties. A
torn-in-half Gotham City is put back together by stacking Lego minifigures
together, flexing abs, and recreating a scene from Jerry Maguire. (Okay, if
this movie is set in the same kid’s imagination from The Lego Movie, how many
times has he seen Jerry Maguire? He’s like ten.)
The final act drags a bit in places, but that’s probably
because there’s no big final twist like in The Lego Movie. Also, for it’s huge
cast of characters, there are a lot that are not utilized to their full
potential. Namely, the rest of Batman’s rogues gallery. It was so hyped up that
the movie would feature a huge assortment of Batman’s enemies – from well-known
ones like Scarecrow and Bane, to more obscure foes like Kite Man and Crazy
Quilt – but most of them have barely any screen time, little to no individual
personality, and spend most of the movie locked up in prison. I mean, come on,
they brought back Billy Dee Williams from Batman 1989 to play Two-Face and he
probably has – fittingly – two lines in the entire film! I think the freaking
Condiment King had more of a presence in the movie!
Batman's greatest enemy: Stains. |
(Also, the Bane in this movie is pretty much just the
version of the character from The Dark Knight Rises, silly Sean Connery-esque
voice and all. There’s nothing really much to say about it except that it’s
there, it’s funny, and I’m glad this meme hasn’t completely died out.)
The Justice League are also there, barely. They’re there to
show how lonely and distant Batman is from everyone, but then they disappear
from the movie altogether. Wouldn’t it have been cooler if the entire Justice
League helped out Batman and company in fighting the villain army at the end?
That would have hammered home better the theme of “friends are family”, I
think. Plus, we would have seen Superman fighting King Kong and the Wonder
Twins fighting Agent Smith, thus making my drunken fanfictions canon.
But overall, for a kid-friendly Batman movie, this was
pretty damn good. Funny, heartwarming, and with stuff for younger and older audiences.
And every scene is filled with callbacks and references to previous iterations
of the Dark Knight. You can really tell that the people behind this movie love
Batman and care about the world and characters. It’s this kind of effort that I
wish certain Warner Bros. execs would put into their DC movies, but I’m not
going to name names *coughZACKSNYDERcough*.
Final verdict: 8/10.
Now I’m off to Wal-Mart because the subliminal messages
implanted into my brain by this movie are compelling me to buy all of their
play sets and toys. Hail Lego. May the brick overlords reign long.
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